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  • MakaleAçık Erişim2020
    Change in Nima Yoshij’s Poetry: Form, Language and Meaning

    Bağrıaçık, Yeşim Işık

    Iranian literature researchers divide Nima Yushij'spoems into three groups: classical poems, semi-classical poems and free verse poems. Classical Persian poem is based on three main elements, namely pattern, literary language and meaning. According to classical understanding of Iranian literature, a real innovation in poetry requires a complete change in at least one of the foregoing elements. Nima Yoshij kept these elements as they were in his classical poems. One of the most apparent differences in semi-classical poems is that lines replace couplets, primary components of classical poetry. Writing couplets one under the other allowed the production of different poems with this pattern as a novel method in the Persian poetry. Similarly, it allowed rewriting with various modifications of the poems that are produced in the mosammaṭ form in a limited number. Nevertheless, since similar lines with equal number of meters and rhyme repetitions are accepted characteristics of the classical poetry, Nima's poems that are said to be semi-classical cannot be considered different from classical poetry. Majority of the poems produced byNima Yushij between 1937-1958 are free verse poems. It is not possible to talk about a specific formal structure for these works. The poet left aside already accepted poetic rules and found the opportunity to reflect the world based on his personal experiences from his own comprehensionwindow.Nima Yushij learnt to approach the poetic language commonly in use in the classical literature era, the approved poetic patterns and realm of meaning with suspicion and rendered these elements, which poetry is subjected to, subjected to poetry. Departing from the sense of poetry that was considered resembling the poems of the classical poets and thus successful, he introduced a new sense of poetry through which he reflected his world of personal experiences, tastes and thoughts. Nima Yushij managed to establish a new sense of poetry by drifting apart from the cliché poetry and pioneered a fundamental change with regard to the primary components of poetry in the Iranian literature.

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  • MakaleYalnız künye2020
    An enthusıastıc poet ın persıan constıtutıonal monarchy perıod: ârif kazvînî

    Bağrıaçık, Yeşim Işık

    The aim of the study is to examine the course of thinking of AbolqassemAref Qazvini,one of the greatest poets of Persian constitutional monarchy period. Aref Qazvini supported constitutional monarchy in Iran since its beginning and he criticized the political and social policies of Dynastie Kadjar that was under the domination of foreign countries in his poems.Qazvinilived with the dream of a free Iran throughout his life and he expressed this desire in his poems.The social and political winds blowing from neighboring countries -from the Ottomans and Russia -arrived Iran by surging and accomplished to influence the Iranian intellectuals of the period, especially Aref Qazvini. The poet, who made his poetic comprehension open to the impact of the political ideas that evolved around him, syncretized his exuberant poetic language with his fragile temperament. His life as a poet, who did not find what he had hoped for from the movements of thought he was enamored of, passed in frustration.Inthisstudywherethequalitativeresearchmethodused,examples reflecting the poet’s world of thoughts will be given and how his life match with his thoughts will be addressed.

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  • MakaleYalnız künye2020
    Narrative elements ın the novel of “an apartment on nile street”

    Güney, Fıkrı

    The novel is a literary prose genre based on telling, and it is a creative work in which intertwined elements that contribute to the transmission of narrative events, the most important of which are personalities, time, place and language, meet. The novel deals with the problems of life and human attitudes towards them in light of the rapid civilization development, and addresses various topics, such as social, historical, emotional and other topics. Each novelist has a special way of building narrative elements in his narration in a template that he finds more suitable for communicating his views to recipients, and able to convey the events of the novel at the same time. This research aims to study the narrative elements in the novel "Flat on the Nile Street" by the novelist Ahmed Ziyad Mohebak, and to reveal the methods employed by the novelist in building the characters, time, place and language in this novel.

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  • MakaleAçık Erişim2020
    Türkiye’de Kayak Sporu ve Uludağ Algısının Tarihsel Temelleri: Karlı Dağdaki Ateş Filminin Göstergebilimsel İncelemesi

    Evren, Savaş

    Bu çalışma, Türkiye’de kayak sporu ve Uludağ algısının tarihsel temellerinin incelenmesi amacıyla gerçekleştirilmiştir. Bu kapsamda, Uludağ’da geçen en önemli Yeşilçam Filmlerinden biri olan Karlı Dağdaki Ateş filminin göstergebilimsel incelemesi yapılmıştır. Çözümleme için öncelikle filmin ön incelemesi yapılmış, Uludağ ve kayak sporuna ilişkin güçlü mesajların yansıtıldığı beş sahne belirlenmiştir. Ardından, belirlenen sahneler Roland Barthes’in göstergebilimsel yaklaşımı çerçevesinde analiz edilmiştir. Bu kapsamda, ilgili sahnelerdeki göstergeler, gösteren-gösterilen ve düz anlam-yan anlam bağlamında değerlendirilmiş; diğer bir ifadeyle, filmdeki görüntüler ve diyaloglar ile bunların Uludağ imajı ve kayak sporu algısı çerçevesindeki yan anlamları incelenmiştir. Bulgulara göre, Uludağ imajının tarihsel temelleri açısından “romantik üst sınıf destinasyonu” ve “büyüleyici, mistik kayak merkezi” gibi faktörler öne çıkmaktadır. Kayak sporu algısının tarihsel temelleri açısından ise zor, tehlikeli (özellikle kadınlar, yaşlılar ve kilolular için) ve elitist algısı öne çıkmaktadır. Ayrıca bazı sahnelerde kayak sporunun zevkli ve prestijli olduğuna ilişkin yansımalar vardır. Güncel literatür kapsamında yapılan karşılaştırmalar ise bu algıların günümüzde büyük ölçüde varlığını koruduğunu ortaya koymaktadır.

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  • MakaleAçık Erişim2020
    Translating culture: Translation of Ayşe Kulin’s novel Veda: Esir Şehirde Bir Konak as Fairwell: A Mansion in Occupied İstanbul

    Yalcin, Elif Guvendi; Dost, Betül Özcan

    Cultural studies play an important role in translation studies, which has a nature suitable for interdisciplinary studies. Studies on the translation of cultural elements show the multifaceted nature of translation, increase awareness about culture and help us see the burden on translators. The aim of this study is to reveal the translation strategies used in the translation of cultural elements in Ayşe Kulin’s novel Veda as Farewell: A Mansion in Occupied Istanbul by Kenneth J. Dakan from Turkish into English. Cultural elements in the study are categorized as Ecology; Material Culture; Social Culture; Organizations, Customs, Ideas, Procedures, and Concepts; Gestures and Habits in accordance with Peter Newmark’s categorization of cultural elements. The category of Proverbs and Idioms were also added to the categorization. Three example sentences (except the heading Art) were chosen for each category. These examples were chosen as they represent their categories in the most clear and explanatory way. The translation of the chosen cultural elements were analysed within the framework of the following translation strategies: Literal translation; Translation of Meaning; Use of Cultural Element itself by Adding Explanation or Footnotes; Translation of the Meaning or Function without Translating the Cultural Element itself; Free Translation and Deletion. As a result of the descriptive and comparative analysis, it was found out that the translator did not use one single translation strategy. Instead, he used different translation studies during the translation process and this way overcame the difficulties risen due to cultural elements. Furthermore, the translator also used the strategy of not translating the cultural element, which was not put forth in the beginning of the study. It was also seen that the strategy 3.2 was the most common and the strategies 2.2. and 5.2. were the least common. It was also revealed that the translator did not benefit from the strategy 3.1 at all and sometimes preferred “no translation”, which was not one of the determined strategies in the beginning of the study

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  • MakaleAçık Erişim2020
    Poetry and Poet from the Eyes of Leylâ Hanım

    Tılfarlıoğlu, Musa

    Poetics is the name given to the whole of the views and rules that poets literally adhere to or value while writing poetry. Therefore, poets and their traditions must have a written or unwritten poetics. Poets in a poetry tradition do not have individual poetics. The effects of temperament, talent and education differences can be seen in the poems of divan poets who try to sing the most beautiful poems of the same poetry style. But these differences are not in a dimension to change the poetics of the poetry tradition in which they are included. Their poetics are predetermined by the poetry tradition they belong to. For this reason, divan poets did not need to write a poetics in a modern sense. Divan poets, whose subjects are poetry and poetry, used the traditional material of divan poetry in their depictions for poetry and poetry. Divan poet wanted to reveal that he wanted to gain the appreciation of the literary and social environment by showing his poetic talent and the beauty of his poems by writing humorous and impressive poems. In this study, which we conducted in order to provide material and contribution to the studies of the poetics of poets in Classical Turkish poetry, the opinions about the poetry and poet that Leylâ Hanım expressed in her poetry, the meanings she placed on these two concepts, the words she used for poetry and the poet, the simulations she made, characteristics and properties of these concepts have been investigated. Briefly, the poet's thoughts about poetry and poet, the poetry and poetry must have been tried to be revealed. It was attempted to find out whether there was a different opinion in Leylâ Hanım Divan that distinguished her from the male poets of the period. The scarcity of female poets in our poetry tradition increases the importance of Leylâ Hanım's views on poetry and poet.

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  • MakaleAçık Erişim2020
    New Literature and Generations

    Ayyildiz, Mustafa

    When life of societies is taken into consideration, it is seen that generations rather than individuals are effective in shaping social order and goals. Generations generally come into existence as creator of a school, a trend. As in the schools, a thesis-antithesis situation sharply separates them from others. In this respect, the harmony of language understanding ensures the continuity of a previously developed understanding. What is said for the generation is also valid for to literary circles in a special sense. The literary generation, on the other hand, is the name given to a special field by generations that are formed around literary precious issues. In shaping the literary generation, the period, schools, post-Tanzimat western examples play a role. The most striking point in our literature of the last hundred and fifty years, which was subjected to many names such as "The Age of Westernization", "The Age of Searches", "Modern Literature", is that it includes a lot of schools, names, movements and therefore generations. First generation of Tanzimat is that it was led by the team which was composed of Şinasi, Namık Kemal, and Ziya Pasha. The Tanzimat generation pioneered the intellectual currents of the era and was the first in all moves. The second generation of Tanzimat is the generation also called "Hamit-Ekrem-Sezai" School, represented by Abdülhak Hamit, Recaizade Mahmut Ekrem and Samipaşazade Sezai. This generation is above all indifferent to social and political issues. In their perspective, art is a field that aims at aesthetic competence that deals with individual suffering, not social benefit. The third generation of the intermediate generation of modern literature consists of names such as Nabizâde Nazım, Mehmet Celal, Mehmet Ziver and Fazlı Necip who could not have a very bright place in the history of literature. This generation is a group of 25-30 people who succeeded in bringing a change to the face of literature in the field of perception and style. The most remarkable aspect of the era is that it brought magazine publishing rather than journalism to a very good stage. Servet-i Fünûn generation, which is the 4th generation of modern literature, is a very influential group that has made a name for itself in the last hundred and fifty years. Like the artists of this period, its works were also sickly and pale

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  • Derleme MakaleYalnız künye2019
    “Nil Caddesinde Bir Daire” Romanı Örneğinde Suriye Savaşının Roman Üzerindeki Yansımaları

    Alahmad, Mohamad

    Modern çağdaki Arap romanları savaş konularından fazlasıyla ilham almış, dikkat çekecek şekilde roman yazarları bundan esinlenmişlerdir. Çünkü romanlar, şiirler ve diğer edebi türdeki yazılardan içerik ve konu bakımından daha fazla hareket alanına sahiptirler. Dolayısıyla savaş içerikli roman yazan güçlü kalemler, fazlasıyla bu konuyla ilgilenmişlerdir. Modern çağda birçok savaş içerikli romanlar yazılmış ve bunların niceleri de Arapların tarihteki savaşlarını ele almıştır!. Tarihin herhangi bir sürecinde gerçekleşmiş olan bir savaşı ele alan romanlar bütün gücünü, okuyucunun daha önce başka bir yerde ulaşamadığı olayları ve bilgileri aktarmasından almaktadırlar. Tarihçiler genellikle tarihi savaşları ele aldıklarında savaşın nerede ve hangi tarihte gerçekleştiğini, komutanların adlarını ve savaşan orduların asker sayılarını ve sonucunu belirtirken, savaş romanı yazarları, bunlara ek olarak savaşan insanların duygu ve düşüncelerine de yer vermektedir. Ayrıca kişisel basit insan tiplemelerini de ele alırlar. Bu yüzden savaş romanları, okuyucusu için tarihçilerin ele almadıkları konuları ve bilgileri aktaran tarihi ve edebi vesika olarak kabul edilirler. Suriye’de 2011 yılında başlayıp hala devam etmekte olan savaş, modern çağımızda insanları etkileyen en büyük savaşlardan birisidir. Öyle ki bu savaş sadece Suriye halkını etkilemekle kalmamış tüm dünya insanlarını etkilemiş olup etkisi Suriye sınırlarını taşarak çok geniş bir coğrafyayı, özellikle de komşu ülkeleri etkisi altına almıştır. Bu çalışma 2011-2018 yılları arasında Suriye’deki savaşın roman üzerindeki yansımalarını ortaya koymaya çalışmaktadır. Araştırma roman yazarı Ahmed Ziyad Muhabbik’in “Nil Caddesinde Bir Daire” romanını ele alır ve kısaca romanı özetler. Savaşın insan yaşamı üzerinde ölüm, hicret ve göçler olarak yaptığı etkiyi ortaya koyar. Savaş sonucu yıkılan ve harabeye çevrilen mekânların, insanların yaşamlarına olan etkilerini ele alır. Savaş suçlarının acı verici görüntüsünü okuyucuya resmederek romanın savaş durumundaki rolünü açıklamaya çalışır. Savaşın olaylara etkisini sanatsal bir dille aktararak görevini yerine getirir. Son olarak bu çalışma romanda konu edilen savaşın sonuçlarına ait tabloyu ortaya koymaya çalışır.

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  • MakaleAçık Erişim2019
    The biographical novel: hanna mina's triology of (remains of pictures, the swamp, the harvesting) as an example

    Alahmad, Mohamad

    There is an overlap between the term novelistic autobiography and other literary terms close to it, especially the terms of the novel and autobiography, which often causes researchers to confuse between it. because there are no clear boundaries to distinguish between these literary genres. And there is several monetary efforts have tried to lay the foundations and rules that differentiate these literary races and to avoid the confusion of scholars. Hanna Mina's trilogy of (Remains of Pictures, The Swamp, The Harvesting), which is a literary work in which the writer presented his real-life experience, especially his childhood, is still a difference of critics in the naturalization; Some said it was a novel, some said it was a biography, while others said it was a biographical novel. This research introduces Mina's trilogy to the reader, and depends on the most important formal features that help the student in naturalization, namely: structure, narrator, titles and also depends on the most important physical features that help to naturalize also: reality and fantasy, the individual and the public, motivations of writing. The research analyses and compares the features of Mina's trilogy with those of three different genres: biography, the biographical novel, and the novel.

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  • MakaleAçık Erişim2019
    Ahmed zıyâd muhabbık’ın beyaz dışı güvercinler ve nargile adlı romanının psikolojik boyutu

    Alahmad, Mohamad

    Psikolojik romanlar, roman kahramanlarının eylem ve söylemleri aracılığıyla insanıniçindeki duygu, düşünce ve eğilimlerin ortaya çıkarılmasında; bu duygu ve düşüncelerinaçıklanması ve yaşadığı toplumun baskısından nasıl kurtulacağı konusunda okuyucuyaaktarmakta, özgür ve elverişli bir hareket alanı sunmaktadır.Psikolojik romanlar yapısı ve özel anlatım yöntemleriyle diğer klasik romanlardanayrılırlar. Bu türün yazarları eserlerinde, kahramanlarının iç dünyasını ele alır.“Beyaz Dişi Güvercinler ve Nargile” Romanı ise, kahramanlarının psikolojik yönünedeğinen önemli romanlardan biri olup Halepli bir kişinin; iç dünyasını ortaya koymada başarılı olmuş bir eserdir. Ayrıca içinde yaşadığı toplumsal değişikliklerin getirdiğisıkıntıları ele almaktadır.Bu araştırma, böyle bir romanı ve romanda ele alınan bilinç akışı süreciyle psikolojikboyutunu açıklamaya çalışmış, kahramanlarının psikolojik yönlerine, iç çatışmalarınave hayallerine değinmeye çalışmıştır.

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  • MakaleYalnız künye2019
    Humour in the serdengecti magazine

    Özcan, Ali

    Although the humour that arises from the need of criticism of people or events in social life is based mainly on laugh effect also takes a role of defence mechanism that is produced by social conscience. The humour that is able to make the truth acceptable has been used throughout the history of Turkish press. From the beginning to the present, in humour publishing that has been developed from the point of Marxist view, there have been limited number of right-winger humour magazines and newspapers. The Magazine Serdengeçti in the published period 1947- 1962 deserves to be examined with the humour chapter titled “Gülünç Hakikatler” (Ridiculous Facts) that took place in each volume. In this study, humour understanding of the Magazine Serdengeçti, which could be published only 33 volumes between 1947 and 1962, is analysed within the transition period from single-party state to multi-party system (1947-1950, the Republican People's Party power), within ten-years period of the Democratic Party and of the National Unity Government established after May 27, 1960 coup d’état and finally within the coalition period of the Republican People's Party and Justice Party. Results of the humour understanding is dealt with in the context of freedom of expression and publication ethics in various periods of power. In the research, which relates to humorous texts in the Magazine Serdengeçti, qualitative content analysis method is used. In this descriptive study, its humour language is dealt with by examining related volumes and its humour emphasis is debated through examples.

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  • MakaleAçık Erişim2019
    Murathan Mungan’ın Şairin Romanı İsimli Eserinin Yapısalcı Metodoloji Çerçevesinde İncelenmesi

    Yazbahar, Zehra

    Edebî eseri anlamak ya da anlamlandırmak için ortaya atılan pek çok yöntem ve kuram vardır. Esere anlam kazandırmaya çalışan bu yöntemlerden biri de yapısalcılıktır. Batı dünyasında “structuralism” olarak bilinen, temelinde Rus biçimciliğinin olduğu ve 20. yüzyılda ortaya çıkan yapısalcı yöntemde incelenen herhangi bir nesnenin kendi içinde anlaşılabilir olmasını sağlamak esastır. Genel hatlarıyla nesneyi “yapı” kavramından hareketle açıklamaya çalışan bu kuramın özünü oluşturan ana öge, yapıdır. Edebî eser bazında düşündüğümüzde ise her eser, bütünlük arz eden çeşitli yapı unsurlarından oluşur. Eserde anlam bütünlüğünü sağlayan yapıyı “anlatıcı”, “olay örgüsü”, “kişiler”, “zaman”, “mekân”, “dil ve üslup” gibi unsurların meydana getirdiği söylenebilir. Yapısalcılık kuramı doğrultusunda Murathan Mungan’ın 2011 yılında yayımlanan Şairin Romanı isimli eserinin ele alındığı bu çalışmada söz konusu eser, “anlatıcı ve anlatma yöntemi”, “içerik”, “olay örgüsü ve vaka takdimi”, “dil ve üslup” unsurları yönünden incelenmiştir. Diğer bir ifadeyle yapı unsurları arasındaki ilişki verilerek romanın kurgusal özellikleri tespit edilmeye çalışılmış ve romanın yapısal çözümlemesi yapılmıştır.

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  • MakaleAçık Erişim2019
    Şairlerin Bilinmeyen Gazelleri

    Tılfarlıoğlu, Musa

    Son zamanlarda yapılan çalışmalar, şiir mecmualarının klasik edebiyatımız açısından son derece önemli olduklarının kanıtı niteliğindedir. Aynı veya farklı dönemlerde yaşamış şairlere ait manzumeleri barındırma özelliğiyle birer seçki niteliğindeki şiir mecmuaları; Classical literature, Halk edebiyatı ve Tekke edebiyatı ürünlerini bir arada barındırmasıyla da ayrı bir önem arz etmektedir. Üzerinde çalışılan Süleymaniye Kütüphanesi Ali Nihat Tarlan Bölümü 59 numarada kayıtlı olan ve 214 varaktan oluşan XVI. yüzyıla ait şiir mecmuası oldukça geniş bir şair kadrosuna sahiptir. Mecmua bu şairlere ait çok sayıda eseri bünyesinde barındırmaktadır. Mecmua içerisinde yüz on beş şaire ait Türkçe olarak kaleme alınmış yedi yüz otuz sekiz manzum eser yer almaktadır. Mecmuada yer alan yüz on beş şairden bazılarının şiirleri basılı divanlarında bulunmamaktadır.

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  • MakaleAçık Erişim2019
    Prophets in the Divân of the Nailî

    Selman, Ahmet

    Divân literature is the biggest value that the Turks have been presenting to the world of literature since its existence in the history scene. Undoubtedly, religious elements are the main sources of this literature which has been continuing its existence for centuries. Although the currents followed and / or influenced by it have changed, there is no significant deviation in these sources. Especially in the XVIIth century Sebk-i Hindî, which influenced Divân literatüre, it is seen that the prophets are greatly utilized by subtle references. Şair Nailî is the biggest representative of the Sebk-i Hindî movement in Divân literature. In this study, it is tried to determine how much and how the poet benefited from prophets and their miracles and life stories and how these elements are effective in the personality of the poet by examining the religious figures in the divân of the Nailî.

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  • MakaleYalnız künye2019
    The Impact Of The June War İn 1967 Upon Nizar Qubbani's Poetry

    الأحمد, محمد

    The Syrian poet, Nizar Qubbani, is regarded one of the most magnificent Arab poets of modern age. He became famous for his poems to have written about women. Although his fame is based on his poems about Women, we see that he is not far from the problems of his country. He also listened to the voice of his people with his poems, which he wrote by focusing on the problems of his turbulent period. He also showed his creativity by focusing on these issues. He has masterfully processed the tragedies that are not in-terrupted, the problems brought about by the modern times and the effects that these problems have on him, and showed the people how to overcome these tragedies, how to overcome these tragedies strictly, without neglec-ting the task, and avoiding unnecessary and insignificant works and discus-sions, presented and guided his people with his works. After the defeat of the Arabs in Israel in the war of June 1967, the acquisition of Sinai, Golan and the West Bank and the lands taken from the Arabs had a great impact on Nizar Kabbanî's poetry. Because these events left a painful feeling in the poet and this defeat made it one of the most important issues that the poet dealt with. The poet reflected the tension he lived in and the sense of defeat caused by the war in his poetry. The aim of this study is to introduce the poet in a short summary and to present the most important topics discussed in his poems related to the June 1967 War. These topics include: the results of the June War, the causes of the defeats of the Arabs, and ways to over-come them, and then examine the technical structure of the poem and emphasize the artistic tools the poet built. So: Poetry-Quran is to emphasize the emergence of nesting, symbolization, repetition, and then the emergen-ce of new word capacity in the poetic dictionary

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  • MakaleYalnız künye2019
    The problematic of otherisation in desiderius erasmus

    Yeşilçayır, Celal

    Different types of problematic of otherisation which are seen as one of the today’s important problem have been encountered in different periods of history. However, it is noteworthy that the problematic of otherisation was reflected in many written works written in the past. The works of Desiderius Erasmus who lived during the Renaissance period and is widely known as a humanist/tolerant intellectual/thinker should also be considered in this context. Because when his works are examined carefully, it attracts attention that he used exclusionary, offensive and even degrading language towards other nations. In this context, it is an academically need to analyze especially his othering expressions made towards the Jews, Ottomans/Turks and women. Despite his othering attitude, the reason why he was called humanist, tolerant or pacifist appears as another problematic to be discussed. In addition, it is important to understand Erasmus's ideas in accordance with his essence and to redefine them in this way thereby examining thoughts in his works.

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  • MakaleYalnız künye2019
    Journalists on the Way to Idealist Identity from Cultural Alienation in the Turkish Novel (1950-1980)

    Yazbahar, Zehra

    In Tanzimat, degeneration or alienation to national culture is one of the topics dealt with frequently in Turkish novel. In that, destructive effects of alienation to national culture on individual and society are processed especially in novels from the Tanzimat reform era. Whereas some authors display how the increasing corruption along with the Tanzimat reform era affects the individual and the society through the individual by means of the negative effects of the characters; some others come up with a “liable/ideal person” transforming these people who are “alienated to their own culture” The most known of these is Hakkı Celis in Kiralık Konak. In this study, the focus will be the ones who are journalists. We see journalist characters who are alienated to their own national culture but then turn to be idealistic individuals in the novels Refik Erduran’s Yağmur Duası (1954), which deals with press life between 1950 and 1980, Kemal Tahir’s Esir Şehrin İnsanları (1956), Attilâ İlhan’s Kurtlar Sofrası (1963), Bıçağın Ucu (1973), Yaraya Tuz Basmak (1978) and Meliha İksel’s Deli Kız (1960). The journalists in the novels we mentioned reveal how to determine the characters who are culturally degenerated impersonate an ideal intellectual identity.

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  • MakaleAçık Erişim2018
    The last known example of verse menaqıpname ın our lıterature: the work named “abdülkadir-i geylani hazretleri” of aşık molla rahim

    Kiremitçi, Ferdi

    Most of the religious-literary genres in Islamic Turkish literature consist of the works written with both the teaching function and the function of evoking aesthetic experience of the language. One of these species is menâkıbnâmeler which is important in terms of literature, religion, mysticism, history and folklore. This type of works written prose, verse, prose-verse mixed are biographical works written about the religious-sufistic personalities, people belonging to various occupational groups and their families. These works include life stories, miracles, important events and sometimes spiritual-physical features (hilye) of the persons. The number of verse menaqıpnames in our literature is over thirty. The last known example of this work belongs to Aşık Molla Rahim with his mesnevi named Abdulkadir Geylani Hazretleri. This study has been written in order to make an evaluation on this menaqıpname written in the middle of the 20th century. The study consists of the tntroduction and the three sections following its. In the introduction, the definition, development and importance of menaqıpnames have been mentioned. In the first chapter, information about verse menaqıpnames in our literature is given. In the third chapter, the the work named “Abdülkadir Geylani Hazretleri” is examined in terms of author, reason of writing, language and style features, shape and content properties. In this study, it is aimed to introduce the menaqıpname written by syllabic meter unlike the other poem samples to the researchers interested in the subject and the people who want to read the life story and miracles of Abdülkadir-i Geylani with the different style.

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  • MakaleYalnız künye2018
    The ıntellectual struggle of dıe weltbühne magazıne agaınst nazısm

    Yeşilçayır, Celal

    Die Weltbühne magazine published theatrical writings before First World War, post-war articles with political content have started to be written. The journal attracted attention with the Nazis' policy of dissenting against national socialism in the process of power. This paper deals with the intellectual struggle of Die Weltbühne magazine against Nazism and their ideas. Within the research, it is analyzed the attitude against Nazism, armement and war following examining the political/intellectual atmosphere of the period. Furthermore, the writings that have been written against the efforts to distort some philosophical thoughts on Nazism are presented through different examples and analyzes. In the final analysis, it is tried to reach an evaluation in the context of humanity and an inference in philosophical sense.

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  • MakaleAçık Erişim2018
    Coordinates of the East and West in Mim Kara’s Doğuya Hüzün Turları (Sorrow Tours to the East)

    Doğan, Çağlayan; Hakkıoğlu, Mümin

    This study aims to determine the borders of the east and west through arguments in Mim Kara’s Doğuya Hüzün Turları (Sorrow Tours to the East), a volume woven with prose poems. It will scrutinise the poet’s thoughts regarding the identity of the easterner and westerner through the said borders. When contemporary Turkish poetry and orientalist studies are taken into consideration, it is seen that the thoughts in Mim Kara’s Doğuya Hüzün Turları do not draw a distinction on places contrary to the general east-west tendency which is created with imperialist purposes. Mim Kara states that the places that are located east and west are not just determined by their coordinates. In the book, the general tendency is to escape, and this escape is from rationality and quantifiable knowledge towards innocence. When this escape is considered as a journey, not the coordinates but sorrow is the loadstar. In line with this, Kara’s multidimentional, innovative and profound narratives that are put forth in his book motivate us to write. Moreover, the east-west distinction that is presented differently from the premises in his book, is the focal point of the study. In this article, first the general orientalist arguments are studied, then, the profound investigation in terms of the perception of east-west, pure and rational reason is determined as a method of this study. In the conclusion, the

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