Sürdürülebilir Kalkınma Amaçları
Yazarlar
- Hakkıoğlu, Mümin(9)
- Tılfarlıoğlu, Musa(4)
- Bağrıaçık, Yeşim Işık(3)
- Doğan, Çağlayan(3)
- Kahraman, Yakup(3)
- Kiremitçi, Ferdi(3)
- Öztürk, Ümit(3)
- Akkanat, Salih(2)
- Yalcin, Elif Guvendi(2)
- Yalçın, Fatih(2)
- Yeşilçayır, Celal(2)
- (Alieva), Vildane Özkan(1)
- Abdurrahman, Arslan(1)
- Aktürk, Esra Canlı(1)
- Alahmad, Mohamad(1)
- Ayyildiz, Mustafa(1)
- Demir, Bilge Çağlar(1)
- Demir, Nalan(1)
- Demirel, Çağatay(1)
- Değirmenci, Fatıh(1)
- Dost, Betül Özcan(1)
- Doğan, Hasan(1)
- Doğan, Neva(1)
- Duran, Ramazan(1)
- Efe, Fehmi(1)
- Gönan, Yavuz(1)
- Gülay, Peyami Safa(1)
- Gülay, Peyyamisefa(1)
- Güney, Fıkrı(1)
- Işık, Yeşim(1)
- Kartopu, Saffet(1)
- Koroglu, Cemile Zehra(1)
- Parlak, Erdinç(1)
- Sarıtaş, Kamil(1)
- Sürdem, Sule Sınem(1)
- Tüzen, M Ahmet(1)
- Tüzen, M. Ahmet(1)
- Uslucan, Fikret(1)
- Uyar, Fatih(1)
- Yazbahar, Zehra(1)
Yayınlar
- MakaleAçık Erişim2020Iranian Poetry and Poets during the Constitutional Revolution
Bağrıaçık, Yeşim Işık
The movements of the Constitutional Revolution that had started in the Qajar Dynasty were quite influential in changing the classical Iranian poetry. In the new environment formed during the Constitutional Revolution, the topics poetry represented changed. “Edebiyat-i Bazgeşt”, namely “flashback literature”, maybe the last cycle of the classical Iranian poetry was criticized by innovative poets in this period of time because they argued that it did not reflect the truth in the society. Therefore, poets during the Constitutional Revolution period dwelled on the problems of the society by writing poems reflecting the current situation of Iran, a country dominated by other states and where the central government had lost its power. The purpose of the poetry that gained a political aspect was to demonstrate the current situation and to protest against political powers. In this period, influenced by political and ideological developments in Western countries, the poetry was on a new path. Poets, as political fighters rather than being just a poet, often supported the revolution of constitutional monarchy in the newspapers they published. Published newspapers and journals have played an important role in the change of the country. The poets generally continued their literary, intellectual and political activities within the journal or newspaper that they published or the party that they supported. In this way, they became influential on the public by easily reaching them. Poets, who were political figures rather than poets, supported the constitutional reform against the current government. In this period, the poetry underwent a formal transformation as well as gaining a political aspect. The aim of the study is to present a general idea on the aforementioned period by briefly addressing the poems and lives of remarkable poets of the period. The target audience of a study is the researchers which work on poetry and poets of the Constitutional Period in Iran, also readers who are interested in this period.
- MakaleAçık Erişim2020Change in Nima Yoshij’s Poetry: Form, Language and Meaning
Bağrıaçık, Yeşim Işık
Iranian literature researchers divide Nima Yushij'spoems into three groups: classical poems, semi-classical poems and free verse poems. Classical Persian poem is based on three main elements, namely pattern, literary language and meaning. According to classical understanding of Iranian literature, a real innovation in poetry requires a complete change in at least one of the foregoing elements. Nima Yoshij kept these elements as they were in his classical poems. One of the most apparent differences in semi-classical poems is that lines replace couplets, primary components of classical poetry. Writing couplets one under the other allowed the production of different poems with this pattern as a novel method in the Persian poetry. Similarly, it allowed rewriting with various modifications of the poems that are produced in the mosammaṭ form in a limited number. Nevertheless, since similar lines with equal number of meters and rhyme repetitions are accepted characteristics of the classical poetry, Nima's poems that are said to be semi-classical cannot be considered different from classical poetry. Majority of the poems produced byNima Yushij between 1937-1958 are free verse poems. It is not possible to talk about a specific formal structure for these works. The poet left aside already accepted poetic rules and found the opportunity to reflect the world based on his personal experiences from his own comprehensionwindow.Nima Yushij learnt to approach the poetic language commonly in use in the classical literature era, the approved poetic patterns and realm of meaning with suspicion and rendered these elements, which poetry is subjected to, subjected to poetry. Departing from the sense of poetry that was considered resembling the poems of the classical poets and thus successful, he introduced a new sense of poetry through which he reflected his world of personal experiences, tastes and thoughts. Nima Yushij managed to establish a new sense of poetry by drifting apart from the cliché poetry and pioneered a fundamental change with regard to the primary components of poetry in the Iranian literature.
- MakaleYalnız künye2020An enthusıastıc poet ın persıan constıtutıonal monarchy perıod: ârif kazvînî
Bağrıaçık, Yeşim Işık
The aim of the study is to examine the course of thinking of AbolqassemAref Qazvini,one of the greatest poets of Persian constitutional monarchy period. Aref Qazvini supported constitutional monarchy in Iran since its beginning and he criticized the political and social policies of Dynastie Kadjar that was under the domination of foreign countries in his poems.Qazvinilived with the dream of a free Iran throughout his life and he expressed this desire in his poems.The social and political winds blowing from neighboring countries -from the Ottomans and Russia -arrived Iran by surging and accomplished to influence the Iranian intellectuals of the period, especially Aref Qazvini. The poet, who made his poetic comprehension open to the impact of the political ideas that evolved around him, syncretized his exuberant poetic language with his fragile temperament. His life as a poet, who did not find what he had hoped for from the movements of thought he was enamored of, passed in frustration.Inthisstudywherethequalitativeresearchmethodused,examples reflecting the poet’s world of thoughts will be given and how his life match with his thoughts will be addressed.
- MakaleYalnız künye2020Narrative elements ın the novel of “an apartment on nile street”
Güney, Fıkrı
The novel is a literary prose genre based on telling, and it is a creative work in which intertwined elements that contribute to the transmission of narrative events, the most important of which are personalities, time, place and language, meet. The novel deals with the problems of life and human attitudes towards them in light of the rapid civilization development, and addresses various topics, such as social, historical, emotional and other topics. Each novelist has a special way of building narrative elements in his narration in a template that he finds more suitable for communicating his views to recipients, and able to convey the events of the novel at the same time. This research aims to study the narrative elements in the novel "Flat on the Nile Street" by the novelist Ahmed Ziyad Mohebak, and to reveal the methods employed by the novelist in building the characters, time, place and language in this novel.
- MakaleAçık Erişim2020Translating culture: Translation of Ayşe Kulin’s novel Veda: Esir Şehirde Bir Konak as Fairwell: A Mansion in Occupied İstanbul
Yalcin, Elif Guvendi; Dost, Betül Özcan
Cultural studies play an important role in translation studies, which has a nature suitable for interdisciplinary studies. Studies on the translation of cultural elements show the multifaceted nature of translation, increase awareness about culture and help us see the burden on translators. The aim of this study is to reveal the translation strategies used in the translation of cultural elements in Ayşe Kulin’s novel Veda as Farewell: A Mansion in Occupied Istanbul by Kenneth J. Dakan from Turkish into English. Cultural elements in the study are categorized as Ecology; Material Culture; Social Culture; Organizations, Customs, Ideas, Procedures, and Concepts; Gestures and Habits in accordance with Peter Newmark’s categorization of cultural elements. The category of Proverbs and Idioms were also added to the categorization. Three example sentences (except the heading Art) were chosen for each category. These examples were chosen as they represent their categories in the most clear and explanatory way. The translation of the chosen cultural elements were analysed within the framework of the following translation strategies: Literal translation; Translation of Meaning; Use of Cultural Element itself by Adding Explanation or Footnotes; Translation of the Meaning or Function without Translating the Cultural Element itself; Free Translation and Deletion. As a result of the descriptive and comparative analysis, it was found out that the translator did not use one single translation strategy. Instead, he used different translation studies during the translation process and this way overcame the difficulties risen due to cultural elements. Furthermore, the translator also used the strategy of not translating the cultural element, which was not put forth in the beginning of the study. It was also seen that the strategy 3.2 was the most common and the strategies 2.2. and 5.2. were the least common. It was also revealed that the translator did not benefit from the strategy 3.1 at all and sometimes preferred “no translation”, which was not one of the determined strategies in the beginning of the study
- MakaleAçık Erişim2020Poetry and Poet from the Eyes of Leylâ Hanım
Tılfarlıoğlu, Musa
Poetics is the name given to the whole of the views and rules that poets literally adhere to or value while writing poetry. Therefore, poets and their traditions must have a written or unwritten poetics. Poets in a poetry tradition do not have individual poetics. The effects of temperament, talent and education differences can be seen in the poems of divan poets who try to sing the most beautiful poems of the same poetry style. But these differences are not in a dimension to change the poetics of the poetry tradition in which they are included. Their poetics are predetermined by the poetry tradition they belong to. For this reason, divan poets did not need to write a poetics in a modern sense. Divan poets, whose subjects are poetry and poetry, used the traditional material of divan poetry in their depictions for poetry and poetry. Divan poet wanted to reveal that he wanted to gain the appreciation of the literary and social environment by showing his poetic talent and the beauty of his poems by writing humorous and impressive poems. In this study, which we conducted in order to provide material and contribution to the studies of the poetics of poets in Classical Turkish poetry, the opinions about the poetry and poet that Leylâ Hanım expressed in her poetry, the meanings she placed on these two concepts, the words she used for poetry and the poet, the simulations she made, characteristics and properties of these concepts have been investigated. Briefly, the poet's thoughts about poetry and poet, the poetry and poetry must have been tried to be revealed. It was attempted to find out whether there was a different opinion in Leylâ Hanım Divan that distinguished her from the male poets of the period. The scarcity of female poets in our poetry tradition increases the importance of Leylâ Hanım's views on poetry and poet.
- Derleme MakaleYalnız künye2019“Nil Caddesinde Bir Daire” Romanı Örneğinde Suriye Savaşının Roman Üzerindeki Yansımaları
Alahmad, Mohamad
Modern çağdaki Arap romanları savaş konularından fazlasıyla ilham almış, dikkat çekecek şekilde roman yazarları bundan esinlenmişlerdir. Çünkü romanlar, şiirler ve diğer edebi türdeki yazılardan içerik ve konu bakımından daha fazla hareket alanına sahiptirler. Dolayısıyla savaş içerikli roman yazan güçlü kalemler, fazlasıyla bu konuyla ilgilenmişlerdir. Modern çağda birçok savaş içerikli romanlar yazılmış ve bunların niceleri de Arapların tarihteki savaşlarını ele almıştır!. Tarihin herhangi bir sürecinde gerçekleşmiş olan bir savaşı ele alan romanlar bütün gücünü, okuyucunun daha önce başka bir yerde ulaşamadığı olayları ve bilgileri aktarmasından almaktadırlar. Tarihçiler genellikle tarihi savaşları ele aldıklarında savaşın nerede ve hangi tarihte gerçekleştiğini, komutanların adlarını ve savaşan orduların asker sayılarını ve sonucunu belirtirken, savaş romanı yazarları, bunlara ek olarak savaşan insanların duygu ve düşüncelerine de yer vermektedir. Ayrıca kişisel basit insan tiplemelerini de ele alırlar. Bu yüzden savaş romanları, okuyucusu için tarihçilerin ele almadıkları konuları ve bilgileri aktaran tarihi ve edebi vesika olarak kabul edilirler. Suriye’de 2011 yılında başlayıp hala devam etmekte olan savaş, modern çağımızda insanları etkileyen en büyük savaşlardan birisidir. Öyle ki bu savaş sadece Suriye halkını etkilemekle kalmamış tüm dünya insanlarını etkilemiş olup etkisi Suriye sınırlarını taşarak çok geniş bir coğrafyayı, özellikle de komşu ülkeleri etkisi altına almıştır. Bu çalışma 2011-2018 yılları arasında Suriye’deki savaşın roman üzerindeki yansımalarını ortaya koymaya çalışmaktadır. Araştırma roman yazarı Ahmed Ziyad Muhabbik’in “Nil Caddesinde Bir Daire” romanını ele alır ve kısaca romanı özetler. Savaşın insan yaşamı üzerinde ölüm, hicret ve göçler olarak yaptığı etkiyi ortaya koyar. Savaş sonucu yıkılan ve harabeye çevrilen mekânların, insanların yaşamlarına olan etkilerini ele alır. Savaş suçlarının acı verici görüntüsünü okuyucuya resmederek romanın savaş durumundaki rolünü açıklamaya çalışır. Savaşın olaylara etkisini sanatsal bir dille aktararak görevini yerine getirir. Son olarak bu çalışma romanda konu edilen savaşın sonuçlarına ait tabloyu ortaya koymaya çalışır.
- MakaleYalnız künye2019Use of Metaphoric Elements in Advertisements: Cosmetic Advertising Example
Demir, Bilge Çağlar
In this study, a research on the concept of visual metaphor, which is frequently used in advertising and other marketing communication studies, is used to bring the message together with the target audience. The general purpose of the research is to find out what the semi-meanings are stored in the visual metaphors used in cosmetic advertisements, and to find out which codes are created and transferred to the target audience. In order to reveal these meanings, Roland Barhes's sense of meaning / semantics has been examined and visual metaphor literature has been examined. In the study, Phillip sand and McQuarrie (2004) used the typology of visual metaphors in print ads that were divided into 9 categories. In this study, the relationships between the types of visual metaphors were investigated unlike previous studies. In this study, semiotic method was used to reveal the hidden, implicit meanings underlying the visual metaphor-containing cosmetic advertisements.
- MakaleAçık Erişim2019The Problem of Language in Thomas Kuhn: Aristotelian Physics and Hermeneutics
Öztürk, Ümit
Comprehending both outdated or superseded and competitive “paradigms” in a common ground, in other words, the conceptualisation of “scientific revolutions” underlies the core idea of the works of Thomas Kuhn. Related with this topic, in his writings after 80s Kuhn shows a hermeneutics based expansion within the frame of a partial linguistic innovation and especially as an alternative to Quine’s translation method. Moreover, he asserts that this expansion had influenced his approaches of the history of science in the 1960s in some sense. In this study, we put forward an analysis of Aristotle reading on which Kuhn based his understanding-oriented approach within the framework of “What are Scientific Revolutions?” So, by making a general criticism of Kuhn’s reception of Aristotle’s Physics, it is aimed to seek the possibilities of different perspectives to Kuhn’s linguistic turn after the 80s.
- MakaleAçık Erişim2019Murathan Mungan’ın Şairin Romanı İsimli Eserinin Yapısalcı Metodoloji Çerçevesinde İncelenmesi
Yazbahar, Zehra
Edebî eseri anlamak ya da anlamlandırmak için ortaya atılan pek çok yöntem ve kuram vardır. Esere anlam kazandırmaya çalışan bu yöntemlerden biri de yapısalcılıktır. Batı dünyasında “structuralism” olarak bilinen, temelinde Rus biçimciliğinin olduğu ve 20. yüzyılda ortaya çıkan yapısalcı yöntemde incelenen herhangi bir nesnenin kendi içinde anlaşılabilir olmasını sağlamak esastır. Genel hatlarıyla nesneyi “yapı” kavramından hareketle açıklamaya çalışan bu kuramın özünü oluşturan ana öge, yapıdır. Edebî eser bazında düşündüğümüzde ise her eser, bütünlük arz eden çeşitli yapı unsurlarından oluşur. Eserde anlam bütünlüğünü sağlayan yapıyı “anlatıcı”, “olay örgüsü”, “kişiler”, “zaman”, “mekân”, “dil ve üslup” gibi unsurların meydana getirdiği söylenebilir. Yapısalcılık kuramı doğrultusunda Murathan Mungan’ın 2011 yılında yayımlanan Şairin Romanı isimli eserinin ele alındığı bu çalışmada söz konusu eser, “anlatıcı ve anlatma yöntemi”, “içerik”, “olay örgüsü ve vaka takdimi”, “dil ve üslup” unsurları yönünden incelenmiştir. Diğer bir ifadeyle yapı unsurları arasındaki ilişki verilerek romanın kurgusal özellikleri tespit edilmeye çalışılmış ve romanın yapısal çözümlemesi yapılmıştır.
- MakaleAçık Erişim2019Şairlerin Bilinmeyen Gazelleri
Tılfarlıoğlu, Musa
Son zamanlarda yapılan çalışmalar, şiir mecmualarının klasik edebiyatımız açısından son derece önemli olduklarının kanıtı niteliğindedir. Aynı veya farklı dönemlerde yaşamış şairlere ait manzumeleri barındırma özelliğiyle birer seçki niteliğindeki şiir mecmuaları; Classical literature, Halk edebiyatı ve Tekke edebiyatı ürünlerini bir arada barındırmasıyla da ayrı bir önem arz etmektedir. Üzerinde çalışılan Süleymaniye Kütüphanesi Ali Nihat Tarlan Bölümü 59 numarada kayıtlı olan ve 214 varaktan oluşan XVI. yüzyıla ait şiir mecmuası oldukça geniş bir şair kadrosuna sahiptir. Mecmua bu şairlere ait çok sayıda eseri bünyesinde barındırmaktadır. Mecmua içerisinde yüz on beş şaire ait Türkçe olarak kaleme alınmış yedi yüz otuz sekiz manzum eser yer almaktadır. Mecmuada yer alan yüz on beş şairden bazılarının şiirleri basılı divanlarında bulunmamaktadır.
- MakaleYalnız künye2019The problematic of otherisation in desiderius erasmus
Yeşilçayır, Celal
Different types of problematic of otherisation which are seen as one of the today’s important problem have been encountered in different periods of history. However, it is noteworthy that the problematic of otherisation was reflected in many written works written in the past. The works of Desiderius Erasmus who lived during the Renaissance period and is widely known as a humanist/tolerant intellectual/thinker should also be considered in this context. Because when his works are examined carefully, it attracts attention that he used exclusionary, offensive and even degrading language towards other nations. In this context, it is an academically need to analyze especially his othering expressions made towards the Jews, Ottomans/Turks and women. Despite his othering attitude, the reason why he was called humanist, tolerant or pacifist appears as another problematic to be discussed. In addition, it is important to understand Erasmus's ideas in accordance with his essence and to redefine them in this way thereby examining thoughts in his works.
- MakaleYalnız künye2018Ludwig wittgenstein’s criticism of science of ethics
Gülay, Peyyamisefa
The discussion over the possibility of science of ethics stands for one of the significant parts of philosophy of ethics. Ludwig Wittgenstein does not seem to be dealing with these issues, however he has various vital reasoning that contribute to this discussion. His objections to the idea of science of ethics can be expressed generally under two titles: an ultimate scientific justification and a method established over this justification. In his view, ethics refers to an area in which one is active as the doer. This area demands for a special logic and it cannot be grounded with an approach that does not provide this demand. One of the frames that will not meet this demand is scientific logic. Ethics cannot be justified scientifically, and so it also cannot be founded as a scientific theory of ethics. Actually this would mean that ethics reach an ultimate determination and Wittgenstein states it is against the nature of what he understands from ethics. In addition, that ethics cannot be justified scientifically does not necessarily mean that ethics can be handled with a relativist approach. The former does not mean that ethics does not have a justification, but it will mean that it has a sui generis one.
- MakaleYalnız künye2018The ıntellectual struggle of dıe weltbühne magazıne agaınst nazısm
Yeşilçayır, Celal
Die Weltbühne magazine published theatrical writings before First World War, post-war articles with political content have started to be written. The journal attracted attention with the Nazis' policy of dissenting against national socialism in the process of power. This paper deals with the intellectual struggle of Die Weltbühne magazine against Nazism and their ideas. Within the research, it is analyzed the attitude against Nazism, armement and war following examining the political/intellectual atmosphere of the period. Furthermore, the writings that have been written against the efforts to distort some philosophical thoughts on Nazism are presented through different examples and analyzes. In the final analysis, it is tried to reach an evaluation in the context of humanity and an inference in philosophical sense.
- MakaleAçık Erişim2018Nermi Uygur’un Yaşam Temelli Felsefe Anlayışı
Kahraman, Yakup
Modern Türk düşüncesini iki döneme ayırır isek bu dönemlerden ilki pozitivist paradigmanın hâkim olduğu cumhuriyetin ilk elli yılıdır. Bu dönemde yapılan felsefi çalışmalar genellikle doğa bilimsel yönteme göre şekillenmiştir. Ayrıca Aydınlanmacı yaklaşımın da popüler olduğu söylenebilir. Bu dönemde verimli eserler meydana getirmiş olan Nermi Uygur ise özellikle Husserl’in fenomenoloji temelli felsefi yaklaşımını benimseyerek farklı bir çığır açmıştır. Uygur’un bu dönemde yaşam temelli bir anlayış ortaya koyması ve her bir yaşam perspektifini felsefi açıdan değerli bulması dikkate değerdir. Bu çalışmada Uygur’un fenomenoloji temelli felsefe yaklaşımının otantik, diyalojik nitelikleri ortaya konulmaya çalışılmıştır. Böylece düşünce geleneğimizde aydınlanmacı, pozitivist paradigmanın yanı sıra farklı seslerin olduğu gösterilmiştir.
- MakaleAçık Erişim2018Limeler: Türkiye Felsefe Dergileri Bibliyografyası, MonoKL. Bibliography of Philosophical Journals (VIII): MonoKL
Öztürk, Ümit; Özsoy, Seda
This study includes the bibliographical data of the journal of “MonoKL” is an integral part of a research project in progress. The essential aim of this project is to constitute a network about philosophical journals published in Turkey.
- MakaleAçık Erişim2018Coordinates of the East and West in Mim Kara’s Doğuya Hüzün Turları (Sorrow Tours to the East)
Doğan, Çağlayan; Hakkıoğlu, Mümin
This study aims to determine the borders of the east and west through arguments in Mim Kara’s Doğuya Hüzün Turları (Sorrow Tours to the East), a volume woven with prose poems. It will scrutinise the poet’s thoughts regarding the identity of the easterner and westerner through the said borders. When contemporary Turkish poetry and orientalist studies are taken into consideration, it is seen that the thoughts in Mim Kara’s Doğuya Hüzün Turları do not draw a distinction on places contrary to the general east-west tendency which is created with imperialist purposes. Mim Kara states that the places that are located east and west are not just determined by their coordinates. In the book, the general tendency is to escape, and this escape is from rationality and quantifiable knowledge towards innocence. When this escape is considered as a journey, not the coordinates but sorrow is the loadstar. In line with this, Kara’s multidimentional, innovative and profound narratives that are put forth in his book motivate us to write. Moreover, the east-west distinction that is presented differently from the premises in his book, is the focal point of the study. In this article, first the general orientalist arguments are studied, then, the profound investigation in terms of the perception of east-west, pure and rational reason is determined as a method of this study. In the conclusion, the
- MakaleYalnız künye2017Halide Edip as a Novelist who has Monologic Discourse: Vurun Kahpeye and Zeyno'nun Oğlu Samples
Uyar, Fatih
The introduction of the novel into Turkish literature coincided with the Tanzimat period. In this period, literature gains functionality through the mission of educating and transforming society, the novel was also affected by this mission. The novel that has facility to reflect all stages of society and social events, takes route according to its writer's style and the period when it was written. Halide Edip as a novelist of the republic period is seen as a novelist who undertook certain missions for the formation of the society and construction of the national identity in the transition period from emperorship to nation state. The writer who wrote with the conscious of creating a new nation builds her works with the approach which is qualified as a "monologic discourse" and she wrote on the cases like "Independence War" and "Greek Occupation". In this study, Halide Edip's Vurun Kahpeye and Zeyno'nun Oğlu novels are going to be analyzed in the context of firstly Bakhtin's polyphony theory in novel and secondly the methodology as the means of construction of meaning developed by Thompson. Thus it is going to be explained the interaction between Halide Edip's style and discourse.
- MakaleYalnız künye2017Felsefi hermenötik refleksiyonun temeli olarak anlama-dil ilişkisi
Kahraman, Yakup
Modern epistemolojinin ortaya çıkması ile birlikte bilinç ile dış dünya arasındaki ilişkinin daha sık sorgulandığını görmekteyiz. Bu paradigmaya dayalı bilme, anlama-yorumlama ve bunun aktarımı konusunda ortaya konulan fikirlerin ise biçimsellikle sınırlı kaldığını söyleyebiliriz. Bu biçimselliğe sistematik şekilde karşı çıkan felsefi hermenötik ontolojik bir yapı ve süreç önermektedir. Buna göre bireyin anlama deneyimi dil üzerinden başlamaktadır ve zamansal, mekânsal faktörleri bir arada bulundurmaktadır. Bizim bilme ve anlama etkinliğimiz tarihsellik barındırmaktadır ve bu tarihselliğin yönlendirdiği ufuk dil sayesinde bize kazandırılmaktadır. O halde tarihsellikten sıyrılmış bir anlama mümkün değildir. Bununla birlikte bu anlamayı yönlendirme gücü olandilin otantik bir yapısı bulunmaktadır. Bu çalışmada anlama ve dili matematiksel yapıya indirgeyerek nesnel, genel-geçer bilginin mümkün olduğunu göstermeye çalışan modern epistemolojinin aksine felsefi hermenötiğin anlama ve dili yaşamın içerisinde nasıl konumlandırdığı gösterilmeye çalışılmıştır.
- MakaleYalnız künye2017Klasik türk edebiyatı manzum nasihatname geleneğinin son hacimli örneği: muhammed şerîfî ve pend-i gülistân mesnevisi
Kiremitçi, Ferdi
Bu çalışmanın amacı, XIX. yüzyıl şairlerinden Erzurumlu Muhammed Şerîfî'nin hayatı, eserleri ve edebî kişiliğini belirlemek; şairin klasik Türk edebiyatındaki manzum nasihatname geleneğinin son hacimli örneği konumunda olan "Pend-i Gülistân" adlı mesnevisini tanıtmaktır. Çalışma, giriş ve onu izleyen iki bölümden oluşmaktadır. Giriş bölümünde klasik Türk edebiyatı öğretici metin türlerinden olan "nasihatmeler" hakkında bilgi verilmiştir. Birinci bölümde Şerîfî'nin hayatı, eserleri ve edebî kişiliği dikkatlere sunulmuştur. İkinci bölümde "Pend-i Gülistân"ın şekil ve muhteva özelliklerinden bahsedilmiştir. Eserin yazılış sebebi ve tarihi, dil ve anlatım özellikleri ve içeriği hakkında bilgi veren bu bölümde; şairin ele aldığı dinî, tasavvufi ve ahlakî unsurları içeren bölümler tanıtılmıştır. Şerîfî, eserini sanat kaygısından çok bireye ve topluma ışık tutmak için yazdığını belirtmiştir. Bu yüzden öğütlerinin dikkate alınmasını ve davranışa dönüştürülmesini tavsiye eder. "Pend-i Gülistân"da Şerîfî'nin bilgi, ahlak ve insani değerlerle yoğrulmuş bir insan modelini arzuladığı görülmektedir