A SEMIOTIC ANALYSIS OF HUMAN AND MACHINE INTERACTION: THE BLACK MIRROR

MakaleAçık Erişim

Özet

This study examines the ethical implications ofcontemporary digital technologies for human existence, focusing on the semiotic construction of human-machine interaction in the anthology series Black Mirror. The research gap addressed in this article concerns the limited attention paid to the sign systems through which the series produces ethical meanings: while existing studies have discussed BlackMirror mainly as a thematic critique of technological dystopia, fewer have systematically examined how visual and verbal signs organise questions of consciousness, autonomy, surveillance, identity, and responsibility. To address this gap, the study uses a Saussurean and Peircean semiotic framework to analyse how selected episodes encode ethical problems at the intersection of organic and artificial life. The empirical corpus consists of fourteen purposively selected episodes from seasons 2-6, excluding the later seventh season released in 2025, and was examined through qualitative coding of visual and verbal signs related to consciousness transfer, artificial intelligence (AI), social media, virtual reality, surveillance, and digital vigilantism. The analysis identifies recurring oppositions between embodiment and disembodiment, autonomy and control, presence and mediation, and responsibility and outsourcing, which together articulate specific moral narratives about technological progress. The articles' original contribution lies in linking semiotic form to technological ethics: it shows how popular techno-dystopian fiction not only represents ethical problems thematically but also constructs them through recurring signs, oppositions, motifs, and narrative patterns. The findings suggest that Black Mirror foregrounds the fragility of human agency in technologically mediated environments and problematises unregulated innovation as a threat to dignity, privacy, and social cohesion within the selected corpus. The study concludes that these findings are interpretive insights from a purposively selected corpus, while also indicating the need for further research on how AI and related technologies are represented, governed, and ethically implemented in ways that protect human agency, dignity, and the broader public interest.

Anahtar Kelimeler

RDL Kalıcı Bağlantı (PID)
https://rdlopen.rawdatalibrary.net/r/gumushane/16670Resmi atıflarda kullanılan kalıcı adres
DOI
https://doi.org/10.7251/emc2603719dYayıncı resmi DOI adresi
Tam Kayıt
AlanDeğerDil
dc.contributor.authorDenizli, Umut
dc.date.accessioned2026-10-22T10:32:51.917051483Z
dc.date.available2026-10-22T10:32:51.917051483Z
dc.date.issued2026-09
dc.description.abstractThis study examines the ethical implications ofcontemporary digital technologies for human existence, focusing on the semiotic construction of human-machine interaction in the anthology series Black Mirror. The research gap addressed in this article concerns the limited attention paid to the sign systems through which the series produces ethical meanings: while existing studies have discussed BlackMirror mainly as a thematic critique of technological dystopia, fewer have systematically examined how visual and verbal signs organise questions of consciousness, autonomy, surveillance, identity, and responsibility. To address this gap, the study uses a Saussurean and Peircean semiotic framework to analyse how selected episodes encode ethical problems at the intersection of organic and artificial life. The empirical corpus consists of fourteen purposively selected episodes from seasons 2-6, excluding the later seventh season released in 2025, and was examined through qualitative coding of visual and verbal signs related to consciousness transfer, artificial intelligence (AI), social media, virtual reality, surveillance, and digital vigilantism. The analysis identifies recurring oppositions between embodiment and disembodiment, autonomy and control, presence and mediation, and responsibility and outsourcing, which together articulate specific moral narratives about technological progress. The articles' original contribution lies in linking semiotic form to technological ethics: it shows how popular techno-dystopian fiction not only represents ethical problems thematically but also constructs them through recurring signs, oppositions, motifs, and narrative patterns. The findings suggest that Black Mirror foregrounds the fragility of human agency in technologically mediated environments and problematises unregulated innovation as a threat to dignity, privacy, and social cohesion within the selected corpus. The study concludes that these findings are interpretive insights from a purposively selected corpus, while also indicating the need for further research on how AI and related technologies are represented, governed, and ethically implemented in ways that protect human agency, dignity, and the broader public interest.
dc.identifier.doi10.7251/emc2603719d
dc.identifier.eissn2232-9633
dc.identifier.endpage737
dc.identifier.issn2232-8823
dc.identifier.issue3
dc.identifier.startpage719
dc.identifier.urihttps://rdlopen.rawdatalibrary.net/r/gumushane/16670
dc.identifier.volume16
dc.identifier.wosWOS:001896298500006
dc.language.isoen
dc.publisherPAN-EUROPEAN UNIV APEIRON
dc.relation.ispartofCASOPIS ZA EKONOMIJU I TRZISNE KOMUNIKACIJE
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectBlack Mirror series
dc.subjectartificial intelligence (AI)
dc.subjecttechnological development
dc.subjecthuman-machine interaction
dc.subjectsemiotic analysis
dc.subject.classificationBusiness
dc.subject.classificationBusiness & Economics
dc.subject.otherFUTURE
dc.subject.otherROBOTS
dc.subject.otherJOBS
dc.titleA SEMIOTIC ANALYSIS OF HUMAN AND MACHINE INTERACTION: THE BLACK MIRROR
dc.typeArticle
dspace.entity.typePublication
rdl.citation.openalex0
rdl.citation.wos0
rdl.oa.statusgold
rdl.oa.urlhttps://doisrpska.nub.rs/index.php/economyandmarket/article/download/13611/12725
rdl.source.indexWOS
rdl.wos.indexEmerging Sources Citation Index (ESCI)