Reconsideration of Orhon Inscriptions in the context of Cultural Memory of Turkish Society: The Body and Memory of Stone

MakaleAçık Erişim

Özet

This paper aims to deal with the Orhon Inscriptions among the concepts and debates on cultural memory for the purpose of 'remembering', 'adaptation', 'updating' and 'refunctionalising' through the television documentary Time Traveller: Following the Steps of the Turks. What do the inscriptions tell us about today? What does deducing, analysing and developing a methodology for this provide to the national heritage under the titles of past, identity, belonging and memory? In this article, accordingly, cultural memory questions and suggestions are offered through the Orhon Inscriptions. Documents and documentaries, without doubt, are instruments of interpreting the past and projecting the future. This research is conceptual as well as methodological. In this respect, a minimal cultural memory glossary is fictionalised and thus a sort of conceptual ground is generated.

Anahtar Kelimeler

RDL Kalıcı Bağlantı (PID)
https://rdlopen.rawdatalibrary.net/r/gumushane/16656Resmi atıflarda kullanılan kalıcı adres
DOI
https://doi.org/10.7596/taksad.v6i2.580Yayıncı resmi DOI adresi
Tam Kayıt
AlanDeğerDil
dc.contributor.authorDemir, Sertac Timur
dc.date.accessioned2026-10-22T10:32:51.024176989Z
dc.date.available2026-10-22T10:32:51.024176989Z
dc.date.issued2017-03
dc.description.abstractThis paper aims to deal with the Orhon Inscriptions among the concepts and debates on cultural memory for the purpose of 'remembering', 'adaptation', 'updating' and 'refunctionalising' through the television documentary Time Traveller: Following the Steps of the Turks. What do the inscriptions tell us about today? What does deducing, analysing and developing a methodology for this provide to the national heritage under the titles of past, identity, belonging and memory? In this article, accordingly, cultural memory questions and suggestions are offered through the Orhon Inscriptions. Documents and documentaries, without doubt, are instruments of interpreting the past and projecting the future. This research is conceptual as well as methodological. In this respect, a minimal cultural memory glossary is fictionalised and thus a sort of conceptual ground is generated.
dc.identifier.doi10.7596/taksad.v6i2.580
dc.identifier.endpage440
dc.identifier.issn2147-0626
dc.identifier.issue2
dc.identifier.startpage422
dc.identifier.urihttps://rdlopen.rawdatalibrary.net/r/gumushane/16656
dc.identifier.volume6
dc.identifier.wosWOS:000403910400022
dc.language.isotr
dc.publisherKARABUK UNIV
dc.relation.ispartofTARIH KULTUR VE SANAT ARASTIRMALARI DERGISI-JOURNAL OF HISTORY CULTURE AND ART RESEARCH
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectOrhon inscriptions
dc.subjectMemory
dc.subjectCultural memory
dc.subjectCultural heritage
dc.subjectDocumentary
dc.subject.classificationHumanities, Multidisciplinary
dc.subject.classificationArts & Humanities - Other Topics
dc.titleReconsideration of Orhon Inscriptions in the context of Cultural Memory of Turkish Society: The Body and Memory of Stone
dc.typeArticle
dspace.entity.typePublication
rdl.citation.openalex2
rdl.citation.wos0
rdl.oa.statusgold
rdl.oa.urlhttp://kutaksam.karabuk.edu.tr/index.php/ilk/article/download/580/620
rdl.source.indexWOS
rdl.wos.indexEmerging Sources Citation Index (ESCI)