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- Derleme MakaleAçık Erişim2025Scopus SJRQ2Gray Divorce in the Shadow of Modernization: Changing Family Dynamics in Türkiye
Aydin, Selcuk; Sahin, Abdurrahim; Bahadir, Muhammed
Gray divorce, defined as the dissolution of marriages among individuals aged 50 and above, has become an increasingly significant issue in Türkiye. Official statistics in Türkiye show that between 2001 and 2024, divorces among individuals aged 50 and above increased both in absolute numbers and as a proportion of total divorces, rising nearly threefold during this period. These increases reflect broader demographic and social changes, such as population ageing, longer life expectancy, changing expectations of marriage, and shifting gender norms. Using sociological literature on modernization and family change, as well as official statistical data, this review synthesises existing knowledge and situates gray divorce within global debates on family transformation. Findings from gray divorce studies indicate that women’s increasing autonomy, life cycle transitions such as retirement or empty nest experiences, and greater societal acceptance of divorce contribute to this trend. Furthermore, gray divorces have broad implications for intergenerational relationships, care responsibilities, and social policies. Specifically in Türkiye, regional differences show that divorce among the elderly is more prevalent in western urbanized provinces, where individualism and secular values prevail, and significantly less common in eastern regions, where traditional and religious norms are stronger. The increasing prevalence of this phenomenon highlights the need for more empirical research and policy responses that are appropriate to Türkiye’s demographic, regional, and cultural transformations.
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İncele - MakaleYalnız künye2016Disease and Death in the Modern Culture: On Now and Eternity
Demir, Sertac Timur
This paper is basically about nowism as a representation of modernity rather than a temporal fragment, about cancer as philosophical reference rather than as a biological illness, and about death as constructive value rather than as a destructive experience. All these representation-loaded concepts are dealt with through the story of Tessa, the protagonist in the film Now is Good (2012). In the liquid modernity, on the one hand nowist orientations, tendencies and acts are wryly reduced to a cliche: Carpe diem (seize the day) and on the other hand temporal uncertainty of death implies the essential principle of memento mori (remember you will die) or Mutu qabla an tamutu (die before you die). The now is, as a worldview beyond a temporality, not merely good, but perhaps the God of the modern society. However, deadly cancer, which is an uninvited guest, nullifies this modern doctrine that commercializes the now as eternity and immortality itself. Cancer that marks death and the sense of chaos what cancer stirs are antithesis and perhaps antidote of the liquid modernity. This paper, for the very reason, unexpectedly affirms death while criticising the nowist culture.
AtıfWoS2TR Dizin2
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