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oai:gumushane-rdlopen.rawdatalibrary.net:gumushane/190952026-10-22T10:46:01Zopenairecom_gumushane_10000col_gumushane_10001

Tüketim toplumunun mantığı: Mark Ravenhill’ in Some Explicit polaroids adlı oyunuDoğan, ÇağlayanKültürel ÇalışmalarEdebiyatEdebi Teori ve EleştiriWithin the scope of postmodernist tenets this study aims to scrutinize Mark Ravenhill’s Some Explicit Polaroids which is considered as one of the most significant plays of In-yer-face theatre that began to gain influence in Britain at the beginning of the Nineties. Some Explicit Polaroids is a political criticism on the confrontation of the two generations and reflects postmodernist tenets, which inhold nihilistic values. In this study, it is aimed to bring forward that Some Explicit Polaroids reproduces the current social milieu in a postmodernist view. In addition to this, the evaluations written on postmodern drama and the criticism on postmodernism are dealt with according to their resonances in the play. The conclusion reveals the evaluations of this study.2014Articlehttps://rdlopen.rawdatalibrary.net/r/gumushane/190951304-4990trAtatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisiinfo:eu-repo/semantics/closedAccessinfo:eu-repo/semantics/articlehttps://gumushane-rdlopen.rawdatalibrary.net/tr/items/gumushane/19095